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Dido and Aeneas
"flavorful movements of the New York Historical Dance Company ... effectively used masks and graceful or comic baroque dancing by witches, courtiers and drunk sailors"
The Washington Post




La Dafne
"the choreography...was sensuous and affecting"
The New York Times




Euridice
"Dorothy Olsson's choreography breathed freely"
The New York Times




Music of the Western Country
"the dancing was lively, sometimes amusing and so well directed that it almost looked spontaneous"
The New York Times




Le Gratie d'Amore
the dancers "move with a lovely flowing style"
Philadelphia Welcomat