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Dido and Aeneas
"flavorful movements of the New York Historical
Dance Company ... effectively used masks and graceful or comic
baroque dancing by witches, courtiers and drunk sailors"
The Washington Post
La Dafne
"the choreography...was sensuous and affecting"
The New York Times
Euridice
"Dorothy Olsson's choreography breathed freely"
The New York Times
Music of the Western Country
"the dancing was lively, sometimes amusing and so well directed that
it almost looked spontaneous"
The New York Times
Le Gratie d'Amore
the dancers "move with a lovely flowing style"
Philadelphia Welcomat
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